This New Music Friday, Ravello Records presents works that explore the intersections of musical and scientific concepts, unveiling new discoveries in instruments, technology, and the ways in which they can work in harmony. Dive in [...]
At times meditative, at times sparklingly abstract, 5X4 is an album of contrasts. Composer Lawrence Axelrod offers a multi-faceted selection of original compositions which push the limits of musical craft – all contained within the [...]
SOUNDSCAPES OF RESTORATION from composer Matthew Burtner is both an exploration and a reflection, a listening experience that leaves one changed with the desire to make change further. It is a journey that cannot, and [...]
Ravello and Big Round Records present explorations into the looming threat of climate change and reflections on the works of a notable late Romantic German composer.
Martin Daigle skillfully unearths the melodic qualities of the drum set on DRUM MACHINES from Ravello Records, an album featuring the works of composers Pierre Alexandre Tremblay and Sylvain Pohu. Daigle, the 2022 winner of [...]
Navona, Ravello, and Big Round Records present a dynamic assortment of works from contemporary artists, ranging from deeply meditative classical music to new explorations into the relationship between jazz and hip hop.
AMERICAN CARNAGE is an album of chamber music by composer Ken Walicki. Well traveled and well versed in an array of different genres, Walicki shares numerous personal experiences and influences in these pieces, from blissful [...]
Navona, Ravello, and Ansonica Records present works that unearth the natural qualities of various instruments, from the vibrance of the viola to the zest of the accordion, the melodic qualities of the drum set, and more.
Ravello Records presents a contemporary classical album effusing influences of free jazz, experimental music, and more.
While it isn’t entirely unusual for musicians to raise musical children, it is fairly rare for a composer to have not one, but two sons who also compose. This is the case for composition professor [...]
