Meet two great artists, Magdalena Kožená and Sir Simon Rattle, in the breathtaking architecture of the Villa Tugendhat in Brno. This magnificent UNESCO world heritage building will host a unique and intimate song recital with a special selection of the finest Czech music. Songs by Antonín Dvořák, Leoš Janáček, Bohuslav Martinů, Erwin Schulhoff and Petr Eben will be performed by Magdalena Kožená in her home town with her husband, Sir Simon Rattle, at the piano. Enjoy this unforgettable musical experience made especially for Brno – UNESCO Creative City of Music.
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Magdalena Kožená
Magdalena Kožená was born in the Czech city of Brno and studied voice and piano at the Brno Conservatory and later with Eva Blahová at Bratislava’s Academy of Performing Arts. She has been awarded several major prizes both in the Czech Republic and internationally, culminating in the Sixth International Mozart Competition in Salzburg in 1995.
She was signed by Deutsche Grammophon in 1999 and immediately released her first album of Bach arias on its Archiv label. Her recital debut recording, an album of songs by Dvořák, Janáček and Martinů, appeared on Deutsche Grammophon’s yellow label in 2001 and was honoured with Gramophone‘s Solo Vocal Award. She was named Artist of the Year by Gramophone in 2004 and has won numerous other awards since, including the Echo Award, Record Academy Prize, Tokyo, and Diapason d’or. Most recent releases for Deutsche Gramophon have included ‘Monteverdi’ with La Cetra Baroque Ensemble (2016), ‘Prayer’ for voice and organ with Christian Schmidt (2014), ‘Love and longing’ with the Berliner Philharmoniker and Sir Simon Rattle (2012). The album ´Cole Porter´ recorded with Ondřej Havelka and his Melody Makers appeared on Magdalena´s own label Brnofon in 2017, the two latest CD was recorded on the Dutch label Pentatone in 2019.
Kožená has worked with many of the world’s leading conductors, Claudio Abbado, Pierre Boulez, Gustavo Dudamel, Sir John Eliot Gardiner, Bernard Haitink, Nikolaus Harnoncourt, Mariss Jansons, James Levine, Sir Charles Mackerras and Sir Roger Norrington. Her list of distinguished recital partners includes the pianists Daniel Barenboim, Yefim Bronfman, Malcolm Martineau, András Schiff and Mitsuko Uchida, with whom she has performed at such prestigious venues as Carnegie Hall, Wigmore Hall, Alice Tully Hall and the Amsterdam Concertgebouw, and at the Aldeburgh, Edinburgh and Salzburg festivals. Kožená’s understanding of historical performance practices have been cultivated in collaboration with outstanding period-instrument ensembles, including the English Baroque Soloists, the Gabrieli Consort and Players, Il Giardino Armonico, Les Musiciens du Louvre, the Orchestra of the Age of Enlightenment, Venice Baroque Orchestra and Le Concert d’Astrée. She is also in demand as soloist with the Berlin, Vienna and Czech Philharmonics and the Cleveland, Philadelphia and Royal Concertgebouw Orchestras.
Sir Simon Rattle
Sir Simon Rattle was born in Liverpool and studied at the Royal Academy of Music.
From 1980 to 1998, Sir Simon was Principal Conductor and Artistic Adviser of the City of Birmingham Symphony Orchestra and was appointed Music Director in 1990. In 2002 he took up the position of Artistic Director and Chief Conductor of the Berliner Philharmoniker where he remained until the end of the 2017-18 season. Sir Simon took up the position of Music Director of the London Symphony Orchestra in September 2017.
Sir Simon has made over 70 recordings for EMI record label (now Warner Classics) and has received numerous prestigious international awards for his recordings on various labels. Releases on EMI include Stravinsky’s Symphony of Psalms (which received a Grammy Award for Best Choral Performance) Berlioz’s Symphonie fantastique, Ravel’s L’enfant et les sortileges, Tchaikovsky’s Nutcracker Suite, Mahler’s Symphony No. 2, Stravinsky’s The Rite of Spring and Rachmaninov’s The Bells and Symphonic Dances, all recorded with the Berliner Philharmoniker. Simon’s most recent recordings include Berlioz’s Le damnation de Faust, Helen Grime’s Woven Space, Debussy’s Pelléas et Mélisande and Turnage’s Remembering, which were all released by the London Symphony Orchestra’s own record label, LSO Live.
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