Category: Interviews

Bruce Reiprich's music has been described as having "unapologetic lushness" (NewMusicBox), "post-romantic radiance" (Danbury News-Times), and "a contemplative mood, its sedate pace subtly dilating the flow of time" (Eagle Rock [...]

Ssu-Yu Huang, a native of Taiwan, enjoys an active career in contemporary music. Her compositions – covering a wide range of music with bold and delicate genres – are performed [...]

Having been praised by the press as “precise and keenly projective” and demonstrating “the highest level of proficiency,” Japanese-Canadian pianist Yoko Hirota is considered one of the leading interpreters of contemporary piano repertory [...]

David Rosenboom (b. 1947) is a multifaceted composer-performer (piano, violin-viola, conducting, electronic media, etc.), interdisciplinary artist, author, and educator known as a pioneer in American experimental music. During his long [...]

John Dante Prevedini is a composer, educator, and public speaker hailing from Connecticut and active throughout Southern New England. Drawing upon a variety of fields of knowledge (including linguistics, the [...]

David Carpenter was born in 1972 in Poughkeepsie, NY, a city on the Hudson River just north of New York City. He began music lessons on the French horn, for [...]

Willem van Twillert studied the organ and piano at the Regional Music School in Amersfoort with Henk Seldenthuis. Starting in 1970, he studied the organ, improvisation, and composition at the [...]

Richard Thompson is a performer and composer whose work encompasses jazz and Third Stream composition. Originally from Aberdeen Scotland, Richard made his debut as a concert pianist at the Purcell [...]

John A. Carollo was born in Torino Italy and brought to the United States by his adoptive parents. When he was in grade school, he studied classical piano and sang [...]

Lauded by the Boston Classical Review for his “expressive energy and ringing high notes,” deemed “sweet and appealing” by The Boston Globe, and complimented for his “clear and even tone” [...]